I understand identity as an ever-shifting structure, a site where memory, emotion, and internal narrative continuously negotiate the boundaries of the self.

 

My practice maps this unstable terrain, observing how the self appears, fractures, and reassembles through the images we internalise and the ones we choose to reveal. Working across painting, collage, mixed media, photography, installation, and character-based illustration allows me to approach this inquiry from multiple visual and conceptual registers.

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A central body of work within my practice, eimastepolles, operates as an expanded lexicon of emotional archetypes. These figures function simultaneously as self-portraits and collective imaginaries, articulating the voices individuals inhabit, suppress, or aspire toward. Through them, I investigate identity as elastic rather than fixed, shaped through repetition, variation, and the porous relationship between inner life and external perception.

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My process relies on layering, gesture, text, and photographic fragments, echoing the incomplete and recursive nature of memory. I am drawn to the tension between clarity and opacity, and to the ways humor and sincerity can coexist as parallel forms of emotional knowledge. The work unfolds through accumulation, allowing meaning to emerge gradually, much like the slow reconstruction of a remembered moment.

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Ultimately, my practice seeks to give form to the multiplicity that underlies lived experience. By translating internal states into visual language, I aim to create spaces where viewers can recognise aspects of their own shifting identities and engage with the fluid, open-ended nature of becoming.